
Unbuilt Works by Gautam Bhatia
The collection of select unbuilt works by Gautam Bhatia is an exploration by him to propose elastic ideas of architecture that explore different approaches to public and living spaces.
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The collection of select unbuilt works by Gautam Bhatia is an exploration by him to propose elastic ideas of architecture that explore different approaches to public and living spaces.

Godavar, in his essay about the unfinished and lost films, focusses on how these incomplete works offer glimpses into unrealised creative visions and possibilities. While digital restoration and AI present new opportunities, he presents the beauty and the ability of unfinished cinema to inspire imagination and alternative storytelling.

Sanjay Prakash, Managing Principal of SHiFt, writes about his unbuilt project that shaped SHiFt’s design philosophy, serving as prototype that informed future work. Decades later, IIT Jodhpur embodied these evolved ideas, highlighting unbuilt designs’ enduring role in architectural innovation.

Architects Anupama Kundoo and Shimul Javeri Kadri, in conversation with Khushru Irani, converse about how visionary architectural projects often remain unbuilt due to resistance and constraints, yet these “unbuilt” works serve as vital repositories of future possibility, requiring architects to practice patience and maintain transformative vision across generations.
![Dune (unreleased film) H. R. Giger - [the strange power of unseen films]. Source Wikifandom](https://unbuiltideas.com/wp-content/uploads/2025/09/Dune-unreleased-film-H.-R.-Giger-the-strange-power-of-unseen-films-300x213.jpg)
With the relevancy of unbuilt expanding to other arts forms, Saachi D’Souza ventures into “Unseen Films” that have either been banned, lost, or unfinished, and yet continue to profoundly influence cinema through and in their absence, define cultural boundaries more powerfully than many released films.

Curators Rupali Gupte, Bijoy Ramachandran, and Ruturaj Parikh, of the book “Unbuilt 2.0: Architecture of Future Collectives”, explore cooperative spatial alternatives that challenge individualistic design, emphasizing ecological repair, temporal flexibility, and architecture as social infrastructure for emerging collective forms of living. through this conversation.

A monolithic concrete boundary slicing through the landscape, The Enclosure by Hugo Betting & Simon Baudry stands as a radical architectural manifesto that rejects human habitation to protect sovereign nature. By creating an absolute, geometric limit against organic growth, this speculative project subverts traditional spatial design to enforce ecological preservation.

Seeds is an unbuilt prototype by DORO, conceptualized for a rural infrastructure design competition in Satara, Maharashtra. The proposal establishes a scalable, budget-friendly blueprint for community learning environments, balancing strict financial constraints with high-quality, flexible spaces that maximize natural light and thermal comfort.

The Lens is a competition proposal for Canada’s LGBTQ2+ National Monument, featuring a canted, triangular ring that transforms the pink triangle from a symbol of persecution into a beacon of identity. Positioned as a “concave lens” overlooking the Ottawa River, the project integrates evocative, symbolic architecture with a restorative landscape to create a space for healing, reflection, and celebration of the 2SLGBTQQIA+ community.

MVRDV’s competition entry In Living Colour transforms a former industrial quay in Kaunas into a vibrant, mixed-use neighborhood featuring multi-layered public spaces and color-graded architectural phases. The proposed design balances acoustic street barriers with a sunlit riverfront promenade, incorporating timber-construction showcases to pioneer sustainable urban development in Lithuania.

Connect – Engage – Explore is a concept generated on the basis of which, this Gallery has been designed to envisage the dynamic and innovative character of Bangalore. This concept has been implemented to develop a binding connection between the city and its scientific temperament.

The competition entry for a memorial proposing a water purification plant on the Bhopal Gas Tragedy site, by GDK Designs is based on transforming toxic land into renewed life, symbolising healing and collective remembrance through purification.
Rupali Gupte is an architect and urbanist based in Mumbai, Professor at the School of Environment and Architecture (SEA) and a partner at BARDStudio. Her work often crosses disciplinary boundaries and takes different forms – writings, drawings, mixed-media works, story telling, teaching, curation, walks and spatial interventions.
Her works include extensive research on contemporary Indian urbanism with a focus on architecture and built environment; tactical practices; housing; and urban form. In 2013, she co-founded the School of Environment and Architecture (sea.edu.in). SEA is envisaged as an experimental academic space for research and education in architecture and urbanism. She has a wide range of publications, has delivered lectures and been on juries across the world. Her works in collaboration with her partner Prasad Shetty, have been shown in several exhibitions including the 56th Venice Biennale, X Sao Paolo Architecture Biennale, Seoul Biennale of Art and Architecture, at Manifesta 7 in Bolzano, at the Museum of Contemporary Art in Barcelona and at galleries such as Project 88, Devi Art Foundation and the Mumbai Art Room. She has recently curated an exhibition involving artists and architects titled ‘When is Space? Conversations in Contemporary Architecture’ at the Jawahar Kala Kendra.