The Lens, Ottawa, Canada by MVRDV Architects 5

The Lens, Ottawa, Canada by MVRDV Architects

The Lens is MVRDV’s competition proposal for Canada’s LGBTQ2+ National Monument, dedicated to Canada’s Queer community – in particular those who endured what is now termed the LGBT Purge. Located on a sheltered 6300 sq.m site facing the majestic Ottawa River, just a few steps from the Parliament Buildings to the east and Chaudière Falls to the west, the Monument and park are a place for education, memorialization, celebration, and inspiration.

Designed as part of a team that is led by Canadian office Fathom Studio in Dartmouth, Nova Scotia, and includes Two Row Architect from Six Nations of the Grand River, the Lens represents a striking new addition to the collection of monuments that encircle Ottawa’s Confederation Boulevard. The concept celebrates the act of resilience generated through community: carving space from a hostile environment, standing proud from the landscape, and sending reverberations of this power into the landscape and beyond.

The LGBT Purge was a discriminatory federal government campaign that emerged during the Cold War and extended to the early 1990s. Homosexuals in public service, the Royal Canadian Mounted Police, and the Canadian Armed Forces were subject to intensive and personally invasive investigation and fired if discovered. Following a class-action lawsuit, in 2017 Canada publicly acknowledged its wrongdoings, with the ambition to address systemic racism and homophobia still evident in its federal institutions today.

Positioned in the middle of the sloping site, the expansive canted form of the Lens gestures toward the Capital Plateau, and rises to welcome all, most importantly, Canada’s 2SLGBTQQIA+ community. In cross section, the ring is a triangle, a reference to the pink triangle, once a tool of persecution, and now a positive symbol of self-identity. Extruded into a circle, this shape approximates a concave lens, which acts as a meta-symbol: while a convex lens magnifies and scrutinises, symbolising the cruelties of the LGBT Purge, a concave lens is its opposite.

In the light of day, the pearlescent form sits in delicate contrast to the Parliament Buildings, while reflecting the sombre tones and material qualities of other monuments in the Plateau. At night, it exudes an otherworldly ephemerality. Inside, it bonds its visitors together. The proposal also recognises the monument’s location on the unceded territory of the Algonquin-Anishinaabe (Ottawa). A 140-word dedication in Anishinàbemiwin and Canada’s two official languages sits where the circular form meets the earth, facing the central plaza.

© Mirror Image

The landscape answers to the “impact” point of the monument with a series of ripples, rolling berms of planting that bloom in alignment with significant moments in the Queer, Indigenous, and Ottawa calendar. The planting uses native species, requiring less maintenance while restoring local biodiversity and reclaiming the health of a previously polluted site. Granite walls and seating between the berms provide space for quiet reflection and bear interpretive installations, supported by a thematic framework of the Algonquin-Anishinaabe’s seven grandparent teachings.

Through its function as a monument and its use of landscape, the Lens makes a significant contribution to the UN Sustainable Development Goals, adding biodiversity (SDG 15) reducing inequality (SDG 11), contributing to justice and strong institutions (SDG 16), and assisting in quality education (SDG 4).

“For this National Monument we have reclaimed the very lens that oppressed us to invite an outward view for community and belonging, and carving a new space for community to heal, reflect, and to grow”, says Margot Durling, creative director of Fathom Studio. “Looking outward, the lens acknowledges that We have always existed, within the monuments and institutions that surround us.”

“The Monument offers a literal embrace for people that have been historically excluded, and will provide a safe space to heal, reflect, and grow”, says MVRDV partner Fokke Moerel. “It was a great honour, challenge, and joy to transform this hidden place into a well-connected, emotive space for gathering and a haven for Canada’s 2SLGBTQQIA+ community.”

Gallery:

Project Details:

Name: The Lens
Location: Ottawa, Canada
Client: LGBT Purge Fund, National Capital Commission, Canadian Heritage
Built-Up Area: 6300 sq. m
Typology: Public, Culture
Year: Competition Entry 2021
Designed by: MVRDV Architects
Architect: Team Durling (Fathom Studio, MVRDV, Two Row Architect)
Founding Partner in Charge: Winy Maas
Partner: Fokke Moerel
Design Team: Jessica Cullen, Carl Jarneving, Efthymia Papadima, Luis Druschke, Rokas Stasiulis
Visualisation: Antonio Luca Coco, Luana La Martina, Angelo La Delfa
Strategy & Development: Alex Rodriguez
Copyright: MVRDV Winy Maas, Jacob van Rijs, Nathalie de Vries
Co-Architects: Fathom Studio, Two Row Architect
Structural Engineer: RJC Engineering
Video: Mirror Image
Animation: ANNIEM: Motion Design & Illustration

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Rupali Gupte

Rupali Gupte is an architect and urbanist based in Mumbai, Professor at the School of Environment and Architecture (SEA) and a partner at BARDStudio. Her work often crosses disciplinary boundaries and takes different forms – writings, drawings, mixed-media works, story telling, teaching, curation, walks and spatial interventions.

Her works include extensive research on contemporary Indian urbanism with a focus on architecture and built environment; tactical practices; housing; and urban form. In 2013, she co-founded the School of Environment and Architecture (sea.edu.in). SEA is envisaged as an experimental academic space for research and education in architecture and urbanism. She has a wide range of publications, has delivered lectures and been on juries across the world. Her works in collaboration with her partner Prasad Shetty, have been shown in several exhibitions including the 56th Venice Biennale, X Sao Paolo Architecture Biennale, Seoul Biennale of Art and Architecture, at Manifesta 7 in Bolzano, at the Museum of Contemporary Art in Barcelona and at galleries such as Project 88, Devi Art Foundation and the Mumbai Art Room. She has recently curated an exhibition involving artists and architects titled ‘When is Space? Conversations in Contemporary Architecture’ at the Jawahar Kala Kendra.

Rupali Gupte